Friday, December 6, 2013

Your revisions

How much are you revising?

A lot of my poems I am completely cutting but sticking with the themes I originally had. I think I had better potential for some of these than where I started--hence workshopping the pieces. But how far I want to cut and go with them is insane. Does anyone else have this desire?

Tuesday, December 3, 2013

Assorted


Assorted
The rustling of the grass in the wind
and the chirping of crickets
is all you can hear
as the smoke rolls across the bog.
Seven stand in a circle
blissfully ignorant
and unaware
of what lies ahead
simply enjoying  the warm summer night,
the dank green nug,
the spark of a flame.
As the lighter clicks, it
Echoes.
Round and round
they go.
Echoes of laughter rolling across the sky.
 
So hazy.
If the sun was shining it still wouldn’t penetrate
the wall surrounding seven
standing in a circle.
In the bright moonlight they assess one another,
laughing, teasing, eyes watering.
By the pond they joke a bit.
Who can’t hold their shit?
Red faced and out of it?
A few feet away the water laps,
the sound blends in softly against the
Echoes.
Round and round
they go.
Echoes of coughing thrumming across the grass.
 
The velvet sky above
is spangled with stars so bright,
it’s as if they are bits of the sun itself
falling to shine upon seven
standing in a circle.
Down to the tip
and still they go,
burning their fingers
and reveling in a taste so sweet
it might never be legal.
When from the road above shines a light
and the stunned silence has no impact on the
Echoes.
Round and round
they go.
Echoes of sirens approaching in the night

-Heather Cobb

Kassandra-Peer Shackle Poem

Coffee Eyes humble, knowing;the color as follows: dark espresso pools copper hued caramel & milk chocolate swirls wrapped in a vanilla blanket inviting me in for a cup, an extended stay within your irises, floating in caffeinated bliss; Coffee electrifies, arouses; strength renews with a ‘click’: the coffee pot sputters the dark roast blend tickles my nose I float atop the aroma, stop and pour a cup, look down into the familiar pool within it, reminisce sip, smile; Every day I drink from your eyes.

A Revised Poem of Mine


Wanderlust
Enlightenment.
By a lonely pond
in the dark woods
you can find it.
Hidden beyond the pine trees you walked by,
behind the drooping curtains of willow branches you ducked beneath,
before the patches of meadowsweet,
scattered there along the bank.
Take a moment.
Take two moments.
Watching the light dim amongst the leaves
as the end of the day rolls in.
An orange dusk in a green world
to which there seems to be no end.
Light and life and shadows
fading.
All fading to black.
Listen to the chirping of peepers
and crickets
in chorus with the silence of the night.
Close your eyes.
Can’t you feel it?

 

Sunday, November 24, 2013

Neruda poem, always thought this one was pretty

Tonight I can write the saddest lines.

Write, for example,'The night is shattered
and the blue stars shiver in the distance.'

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms
I kissed her again and again under the endless sky.

She loved me sometimes, and I loved her too.
How could one not have loved her great still eyes.

Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.

To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.

What does it matter that my love could not keep her.
The night is shattered and she is not with me.

This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.

My sight searches for her as though to go to her.
My heart looks for her, and she is not with me.

The same night whitening the same trees.
We, of that time, are no longer the same.

I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.

Another's. She will be another's. Like my kisses before.
Her voide. Her bright body. Her inifinite eyes.

I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.

Because through nights like this one I held her in my arms
my sould is not satisfied that it has lost her.

Though this be the last pain that she makes me suffer
and these the last verses that I write for her. 

Thursday, November 21, 2013

A Thoreau Poem

Within the Circuit of This Plodding Life

by Henry David Thoreau


Within the circuit of this plodding life
There enter moments of an azure hue,
Untarnished fair as is the violet
Or anemone, when the spring strews them
By some meandering rivulet, which make
The best philosophy untrue that aims
But to console man for his grievances
I have remembered when the winter came,
High in my chamber in the frosty nights,
When in the still light of the cheerful moon,
On every twig and rail and jutting spout,
The icy spears were adding to their length
Against the arrows of the coming sun,
How in the shimmering noon of summer past
Some unrecorded beam slanted across
The upland pastures where the Johnswort grew;
Or heard, amid the verdure of my mind,
The bee's long smothered hum, on the blue flag
Loitering amidst the mead; or busy rill,
Which now through all its course stands still and dumb
Its own memorial,—purling at its play
Along the slopes, and through the meadows next,
Until its youthful sound was hushed at last
In the staid current of the lowland stream;
Or seen the furrows shine but late upturned,
And where the fieldfare followed in the rear,
When all the fields around lay bound and hoar
Beneath a thick integument of snow.
So by God's cheap economy made rich
To go upon my winter's task again.

Wednesday, November 20, 2013

I saw this on Tumblr and liked it.


Here is another poem from Sonia Weitz that I think is pretty powerful

For Yom Ha'Shoah

Come, take this giant leap with me
into the other world...the other place
where language fails and imagery defies,
denies man's concsiousness...and dies
upon the alter of insanity

Come, take this giant leap with me
into the other world...the other place
and trace the eclipse of humanity...
where children burned while mankind stood by,
and the universe has yet to learn why
...has yet to learn why
So I was rummaging around my bookshelf when I discovered this book by Sonia Schreiber Wietz that I bought back in highschool when she came to speak at the school.  Sonia is a Holocaust surviver and wrote and published a collection of writings (including poems).  This one is written about the African American GI who rescued her from a concentration camp.

My Black Messiah

A black GI stood by the door
(I never saw a black before)
He'll set me free before I die,
I thought, he must be the Messiah

A black Messiah came for me...
He stared with eyes that didn't see,
He never heard a single word
which hung absurd upon my tongue.

And then he simply froze in place
The shock, the horror on his face,
He didn't weep, he didn't cry
But deep within his gentle eyes
...A flood of devastating pain,
His innocence forever slain

For me, yet another dawn
I found my black Messiah gone
And on we went our seperate ways
For many years without a trace

But there's a special bond we share
Which has grown strong because we dare
To live, to hope, to smile...and yet
we vow not ever to forget

Tuesday, November 19, 2013

A poem for


A poem for Money

Grime and grit

We slave away for the bills

in ardor of paying bills

and achieving the freedom

to stand naively and say, “I can buy that if I want,

sway her persuasion

if I choose,

make him kill for a briefcase full…”

The puppeteers laugh

at such misguided

optimism.

There is no oil spring in your backyard, silly.

But if there were,

do not be fooled by the bills.

They may buy things,

but they buy people too.

Use them up until they

wither and die,

the spoils are merely

collateral damage.

So I think this is a poem.

I have this hanging up in my room. I think it means "Don't let people tell you how/ what to think because then, you'll look like everyone else."
I know it's Silverstein and to some very simple poetry, but I think this speaks volumes on how a younger society views independent minds. 


Sunday, November 17, 2013

Write a poem, John said. Make it a poem for someone, John said. Why are you writing seven of them? John will say.

E—
 
I
I took you home and opened you like a book,
Let the newness of you flood my senses
Before I became absorbed by the
Fragile covers splayed out on either
Side of your fragile spine. Holding your
Delicate pages in my hands and fingering them
Idly as the words spilt from my mouth and
Overflowed onto the delicate silk of your sheets.  


II
I wrap each
Little word you
Say in ribbons
And bows,
And press it,
Like flowers,
Between pages
Of a book.

III
Was it T.S Eliot
Or E.E. Cummings
That you loved?
I forget. I only
Started reading them
In a desperate
Attempt to cling
To whatever remained
Of you and I. Some
Digitally preserved
photographs and
letters, Naked Lunch,
and “this is the wonder
that's keeping the stars
apart” scrawled at the top
of barely legible note
Sent from your dorm room
in Alfred, New York.
IV
I was with you when
they dug up Neruda’s body.
And it seemed so perfectly fitting
on the day of his resurrection
that he and we should be
so similar, preserved but
still weathered. After all, nothing
stops the passing time forever.
Not clay or formaldehyde,
Not love poems, 20 or more,
Not the memory of you
springing from the night sea.
Not light, smoke, or still ponds.
Not the spring, not the cherry trees.

V

Here comes the darkest summer.
Don’t be a fool, Ned, this
is much worse than winter.
Winter was us, food, drink,
endless love on the bear skin.
Sure it was dark, but we could handle it.
Now what are we supposed to do?
Light up the dead seaside towns with our smiles?
It’s after 5pm, everything is closed,
we best go home, or back to our hotels,
No one’s having any fun in this place,
not even the birds. They’re too used
to gourmet bread, they won’t even
eat this processed shit any more.


VI

You left,
into the elevator
and out the door.
I haven’t trusted
machines since.
Where did you need
to get to so fast?
And why were they
so complicit in it?
Probably to New Hampshire,
where all things that
need to get lost go,
to sleep in stables
next to Willa Cather
or eat braised lamb
off his fat nose.

VII
I thought about
turning the car
and heading
north towards
New Hampshire,
just to make
sure that it was
still there. As if the
whole state
would rise up and
walk out of
existence when
we did.
I’d do anything
to get the rose
colored glare
out of my eyes.

Thursday, November 14, 2013

Gillian's Revision


Original:
He took me by surprise,
When I saw the violence in his eyes,
And a desire to destroy himself,
Like I had never seen before.

He was singing the saddest song when I first met him,
Songs of never-ending despair,
And the pain of one boy,
Who could never understand,
He was singing a song with his eyes,
That only I could hear.

He took me by surprise,
The day his eyes finally looked alive,
And the destruction that once followed like a shadow,
Was nowhere to be found.

It was the way in which he whispered,
He finally understood,
That surprise me so,
The way in which he cried,
Because he finally understood what it felt like to be alive.

It was the way in which he overcame himself,
That made me love him so.


Revision:

I was empty but in love
(I’m still trying to figure out how that could be)
with a boy whose eyes
shined with a violence
and desire to destroy
I had never seen before

Eyes that sang to me
a song of never-ending despair
the kind of pain that couldn’t be understood
despite relentless attempts
to dissect the inner workings
of a heart
that was constantly on the verge of never beating
again

He took me by surprise
singing that song
only I could hear
becoming the lullaby that put us to sleep
all those nights
when his pain threatened all that we had built

I was empty but in love
he had stolen all of me
and I was unable to let go of the pain
he had wrapped himself in
almost permanently
I lived with his pain
simply so I could be there
on the day it all went away

He took me by surprise
the day his eyes
finally looked alive
and I noticed the glimmer of green
I had never seen before

It was the way in which he whispered
he finally understood
that took me by surprise
the way in which he cried
because he finally understood what it felt like to be alive
it was the way in which he overcame himself
that made me love him
despite the emptiness that had become all of me

Tuesday, November 12, 2013

When you wrote your paper, did you challenge yourself?

I have decided that by basically listing what I admired about the poem I wrote my craft analysis paper on, that this was me listing challenges in my own poetry and my own thoughts.

I realized my writing suffers from over thinking things, and being too afraid to try something new. For the remainder of the semester, I want to challenge assignments with the things I admired and the things I want to aim to convey/craft up.

Tell me what your experience was like. What do you think you'll aim to do? Got some goals for your poems?
-Jenn

Saturday, November 9, 2013

hey guys
so...I forgot to write this down but, we are meeting for class on Tuesday right?

Thursday, November 7, 2013

Revision and Original

Original

FILTHY HYPOCRITE
You’re the one who said you loved me,
You’re the one who told me you would never leave,
But you did
And now you’re the one telling me that I
I was the one who fell in love with you
But it wasn’t
You blamed me for walking away
But did you realize
That you gave me every reason to
Hey!
You aren’t listening
Stop pretending you’re a saint
You were the coward
And changed your mind for someone else
I remember every time that you
Told me forever and always
You never heard my side of the story
Never really cared at all
Nor did you think my part valid
You called me a liar
You filthy hypocrite
Never have your words
Lined up with your actions
You aren’t sorry.


Poem #7
10/5/2013

I have no clue what you are talking about. 
I didn’t think you were going to walk away.
I thought you would be here waiting for me. 
You fell in love with me.
Despite what you think, I am sorry. 
You didn’t take any time in moving on. 
You said you would wait for me. 
But you never did. 
You just chose to move on without me. 
I never stopped loving you. 



Tori's Revision

Original:
You have hair.
That might have been the first thing I noticed.
I stared at your hair for hours,
honestly,
hoping to capture it somehow.

I think your voice struck me next.
And that’s strange
because you’ve been talking to me for so long.
But there was your voice.
And I listened to the sound instead of the words.

Weirdly…
your hands, too.
I want to touch them, not hold them,
not yet,
just brush against your knuckles,
and hope you do the holding for me.

I think it took tem minutes
for me to notice your lips.
(I had to get past your eyes and cheeks and smile.)

That’s when I went to talk to someone else.


Revision:
You have hair.
It's not impressive or noteworthy, really. But still,
I stared at your hair for hours
of days, over months,
hoping to capture it somehow.

Your voice struck me first,
violently and constantly,
because you'd been talking for so long,
and I listened to the sound instead of the words.

Weirdly,
I want to touch you, not hold you. 
Bump into you as I walk past,
just brush my hand against your knuckles.

I think it took ten minutes,
that first day,
(I had to get past your eyes and cheeks and lips)
for me to speak.
And it came out angry.


My approach to this revision was, first, removing every other line. I was honestly surprised that it still made some kind of sense and, actually, gave the poem a whole new tone. It was similar to the tone of the original, but stripped down, harsher in some way. This led me to finding my new speaker, or at least a new attitude for my speaker, and the additional lines sprang from there. 

Wednesday, November 6, 2013

Revision by Tony

Original

The ocean breeze sweeps
Across the sea
And breathes
Life into me.

In the north
Atop a bowsprit I stand
I am king of myself
And obey no man.

My fingers shriek
And my blood stands still
Though I’ve lost all feeling
I can finally feel

Through isolation
I’ve found a peace
That many neglect
Or Fail to Achieve

If I had one wish
It would be
To share my happiness

With worthy company.

Revision

A gentle breeze caresses the ocean’s waves
And as it’s forced skyward by their shape
It breathes life into me.

Stationed in the desolate north,
Far removed from social interaction and love
I stand upon my ship, in charge of my own destiny.

The frigid winds pierce my skin
And my fingers shriek and bend.
My blood halts in the veins, my senses fail me
And I can finally feel.

Isolated, alone, I have achieved a glorified sense of complacency
Which I mistake to be a feeling of peace
And I criticize the world for their lack of achievement.

Yet I yearn for more than what I’ve found,
But what I’ve found is what I sought.
I wish only to break the sound of self-praise
With real conversation and worthy company.

Tuesday, November 5, 2013

Kassandra

Original:

Rain.

I remember almost drowning
I still feel like a fool for loving him
We fell asleep under the stars one night
I swore our hearts drummed in sweet sync
He held my heart in the palm of his hand
Is it weird to crave a person on days
when rain ensues after kisses goodbye?
I gave him my poems as lullabies
to soothe his longing on damp nights when love
would not suffice to keep him full of me


Revision:

Rain.


Raindrops danced on the windshield.
Headlights and metal flashed.
There you stood on double yellow lines
as if you had been waiting to crash into me
all day.
I spun, 
heard the tires skid on liquid pavement, 
my lungs awash by silky skin.
I tried to stop, 
gasp for air between the swells,
but your eyes overflowed into my mouth,
my nostrils, down my throat,
and into every empty crevice of mine.
You washed through my veins,
claiming me as yours;
but I never asked to fall in love.
I never wanted to fall in love, 
but I slipped in the rain that day,
and you came anyway.
You came anyway.



In the revision, the speaker is opposite the one in the original, in that the original speaker was a woman and the new speaker is a man. These are differing vantage points of the exact same relationship that this couple was in.  




Original Poem:


Shy

 

Now what is left for us to talk about?

Not much, but how there used to be a lot.

 

Far back in time, when you had shinning curls

But then you went and turned them oh so dark.

 

Back when you used to laugh more than you cried

Before your love turned black for the first time

 

It seems just one wasn't enough for him

He had to break you too, and use you up

 

Before he moved on to destroy the next,

You see, you weren't the only one he robbed
 
----------------------------------------------------------------------------------------------------------------------
 
Revision:
 
Shy
 
Chaos seeping in at the roots,
Now all black
Go your once golden curls.
 

And the light, once too bright,
Glares enough, just to see,
On the dirty and dank bathroom floor


That those spatters of dark
All around where you sat
Have bled into the tiles on the floor


And the rank smell of change,
Sickly chemical smell,
How you still keep on breathing it in.


Even as some things still

Are yet seeping within

I ask: are some seeping back out?